Search results for " twentieth century"

showing 10 items of 17 documents

La scoperta, sistemazione e conservazione della grande Iscrizione di Gortina, nell'isola di Creta (1884-1921): la protezione delle testimonianze e le…

2013

La scoperta e la conservazione della Grande Iscrizione di Gortina a Creta, da parte degli studiosi italiani, fra la fine del XIX sec. e i primi decenni del XX sec., rappresentò un grande riconoscimento scientifico-culturale per la giovane nazione italiana. Nel passato, l’isola di Creta era stata legata alla Repubblica di Venezia e anche questo rapporto favorì l’invio a Creta del giovane epigrafista F. Halbherr, il quale fra notevoli peripezie rinvenne, assieme all’epigrafista tedesco E. Fabricius, la famosa l’iscrizione nell’antica città di Gortina. L’iscrizione, fra le più antiche e complete finora conosciute in tutta Europa, conteneva le norme sulla famiglia, l’eredità e in generale i dir…

The discovery and preservation of the Great Inscription of Gortyna in Crete by Italian researchers in the late nineteenth century. and the first decades of the twentieth century. was an important cultural and scientific recognition for the young Italian nation. In the past the island of Crete had been tied to the Republic of Venice and this report also favored sending in Crete the young epigraphist F. Halbherr who among considerable vicissitudes came to together to the epigraphist german E. Fabricius the inclusion of the famous ancient city of Gortyna. The inscription among the oldest and most comprehensive so far known throughout Europe the rules contained on the family's legacy in general and the rights and duties of some of the people of the Minoan civilization (480-450 BC). The inscription was carved on blocks organic limestone a restored ancient building which later in Roman times was turned into odeon. The Laws of Gortyn were engraved on the remains of the wall forming the passageway in front of the steps of the odeon. The essay traces the events that led to the discovery and subsequent storage made by Halbherr especially with the help of archaeologist L. Pernier and finally with the help of architect E. Stefani who designed a modern cover on the top of the ambulatory of the segments containing the inscription. This coverage was made to perform during the First World War on the basis of the Italian project from the Greek Government in order to protect the membership from possible war damage but especially from vandalism. The roof brick clay of the Laws of Gortyna still serves its function and ensures the use of the monument bearing witness to the preservation of Italian culture in Greece and more generally in the world. But in Sicily in the remains of the Villa del Casale in Piazza Armerina (Enna) its elegant protection (built in 1957) is representative of a whole period of culture of the Italian restoration is removed and replaced because it has not been able to make a ongoing maintenance is due. A bad example of conservation and management of a UNESCO monument from which arise after the work for the construction of new roofs an equally insulting to the archaeological heritage and scenic Italian and world.Settore ICAR/19 - Restauro
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La représentation de l’identité sicilienne dans les bâtiments publics du Ventennio fasciste

The intervention, included in the panel of the Conference dedicated to the monumental forms of political and cultural identities, proposed the analysis of some artistic decorations of monumental public building made in Sicily during the fascist regime, such as the pictorial cycle of the Palace of the Prefecture of Ragusa, the bas-reliefs of the Casa del Fascio in Messina and the mosaic of the Maritime Station of the same city. The institutional representation of the collective – the Conference’s main subject of interest – was considered in the light of traditional themes of fascist ideology, such as Labour, and by episodes related to the local context, such as Mussolini’s visits or mythiciz…

Settore L-ART/03 - Storia Dell'Arte ContemporaneaIdentity Community Twentieth Century Sicily Public Art Public Architecture FascismSettore ICAR/18 - Storia Dell'Architettura
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La via sovversiva della «poesia onesta». La lezione di Saba nel secondo Novecento

2023

The essay highlights how Saba's poetry has been reinterpreted by poets and storytellers of the late twentieth century also from a civil perspective, and has established itself as the object of a rethinking that involves the very function of literature as a (residual) ambition for truth and as disobedience in the face of the semantic seduction of the «sign language of the strongest» (to use Nietzsche's formula).

Umberto Saba Vittorio sereni Giovanni Giudici Zanzotto poetry of the second half of the twentieth century honest poetry CanzoniereSettore L-FIL-LET/11 - Letteratura Italiana Contemporanea
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Seferis traduttore della 'Apocalisse'

2003

Sui caratteri della traduzione neogreca di Seferis dall'Apocalisse di San Giovanni On the characters of the neo-Greek translation of Seferis from the Apocalypse of Saint John

Greek poetry of the twentieth century Generation of the Thirty Seferis Old Testament TranslationsPoesia greca del 900 Generazione del Trenta Seferis Vecchio Testamento TraduzioniSettore L-LIN/20 - Lingua E Letteratura Neogreca
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L'intonaco Li Vigni nell'architettura del XX secolo a Palermo. Nuove conoscenze e applicazioni diagnostiche per la manutenzione

2013

Il saggio presenta lo studio degli intonaci formulati per imitare le pietre e i marmi naturali che si diffondono in Sicilia all’inizio del XX secolo ed evidenzia che le prime applicazioni e la diffusione delle nuove malte, anche nel resto dell’Italia, risentono delle sperimentazioni condotte in tutta l’Europa. Il contributo riassume i risultati di una rigorosa e capillare ricognizione tra i brevetti conservati presso l’Archivio Centrale dello Stato a Roma inerenti alle malte per il confezionamento dell’intonaco a “finta pietra”, ne analizza i contenuti in modo critico e pone in risalto i contatti culturali con le sperimentazioni dei materiali in atto nell’ambito dei grandi cantieri di resta…

The paper presents the study of the plaster formulated to imitate the natural stones and marbles that are popular in Sicily in the early twentieth century and points out that the first applications and the dissemination of new mortars also in the rest of Italy feels the influence of the experiments conducted throughout Europe . The contribution summarizes the results of a rigorous and thorough reconnaissance of patents kept in the Archivio Centrale dello Stato in Rome relating to mortars for plastering an artificial stone critically analyzes the content and emphasizes cultural contacts with the experiments on large-scale restoration projects in Italy and France in the late nineteenth century. The analysis of the architectural surfaces is developed with instrumental tests: the levels of adhesion of finishing surface are characterized in particular through a campaign of thermographic investigations and diagnosis is drawn to show that the consolidation of the layers and reintegration are interventions to be introduced ​​within the restoration project and maintenance program.Settore ICAR/19 - Restauro
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Di cani e d'altro

2007

sonetti della poetessa Agathì Dimitruka tradotti in italiano da Maria Caracausi e volti metricamente da Paolo Scrima sonnets by the poet Agathì Dimitruka translated into Italian by Maria Caracausi and metric faces by Paolo Scrima

Greek poetry of the twentieth century Dimitruka dogspoesia greca del 900 Dimitruka caniSettore L-LIN/20 - Lingua E Letteratura Neogreca
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Re-drawing of vanished space: Casa Giobbe della Bitta by Marcello Piacentini

2020

Ha ancora un senso oggi, nel tempo dominato dall’immagine e dal suo potere, interrogarsi sulle ragioni e sulle potenzialità del Disegno di Architettura? Potremmo sfruttare, invece, questa forza immateriale che pervade la nostra era contro il modus operandi della tabula rasa che interessa il patrimonio del moderno in Italia? Un tentativo di risposta a queste domande potrebbe giungere dallo studio di un’opera non più esistente di Marcello Piacentini, Casa Giobbe della Bitta, del 1925. A partire dal ridisegno critico dell’edificio, si vuol tentare una decodifica dell’architettura svanita, analizzandone forme e matrici geometriche che l’hanno generata; la modellazione tridimensionale digitale, …

History Twentieth century Architectural drawingStoria Novecento DisegnoSettore ICAR/17 - Disegno
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Rivoluzione o Provvidenza? Una lettura politica della libertà a partire da Rosmini

2022

In this paper, the value that Antonio Rosmini’s works preserve is studied in order to understand the philosophical premises of modernity as a condition for identifying the different visions of politics and the exercise of power that develop among the ideologies of the twentieth century. His reflection, rethought by Augusto Del Noce, becomes a significant moment in the context of Christian thought, because it allows us to link past and present through the background of his political vision in a philosophical key. Rosminian political meditation, compared with Alexis de Tocqueville’s analyzes of democracy, becomes a main way to connect the ideas of Catholics with those of liberals, seeing the …

Settore SPS/02 - Storia Delle Dottrine PoliticheAntonio Rosmini Christian thought liberalism modernity the twentieth century
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Arturo Dazzi e Marcello Piacentini: un lungo sodalizio

2020

The paper investigates the collaboration between an artist and an architect who were among the main protagonists of the Italian cultural scene of the first half of the twentieth century: Arturo Dazzi and Marcello Piacentini. Starting from the plaster model which portrays them together and that reproduces a detail of a monumental work conceived by both between 1924 and 1931, the Arco ai Caduti of Genoa, the analysis will briefly focus on the occasions when the two characters collaborated for the realization of monumental civil and religious works until the post-war period. This case is a significant example of the conception and debate about the relationship between the figurative arts and t…

Arturo Dazzi Marcello Piacentini partnership art architecture monumental works twentieth century.Settore ICAR/18 - Storia Dell'Architettura
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La cattedrale di Palermo

2015

Il volume ripercorre le principali vicende architettoniche della cattedrale di Palermo dalle origini fino al Novecento, individuandone nella sua complessa storia plurisecolare i committenti, gli artefici e i modelli di riferimento.

The study focuses on the major architectural events of the Cathedral of Palermo from its origins up to the twentieth century; identifying in its complex history; the patronage; the architects and the architectural models.The study focuses on the major architectural events of the Cathedral of Palermo from its origins up to the twentieth century identifying in its complex history the patronage the architects and the architectural models.The study focuses on the major architectural events of the Cathedral of Palermo from its origins up to the twentieth centurythe patronagethe architects and the architectural modelsidentifying in its complex historySettore ICAR/18 - Storia Dell'Architettura
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